Over the last decade we have witnessed an incredible resurgence of interest in experimental cinema. A new generation of artists has emerged. Museums, cinematheques and festivals now have programmes and retrospectives of past and contemporary experimental films, and film and video installations are now part of the art gallery experience.

An experimental film does not regard cinema from its usages, but from its powers. It endeavours to evoke, to reveal and to renew them; but at the same time it contradicts, blocks and renders them limitless[1].

The 3rd edition of the Naples Independent Film Show is one of the most interesting events in this field. For it's audience, filmmakers, curators and organisers. I do not intend this to be a competitive statement, (as there are many other extremely wonderful shows) - I simply want to underline the uniqueness and the beauty of this annual event.

The Independent Film Show is devoted to the exhibition of experimental film. In a way, it is not surprising that this film festival is organized by an art gallery, as experimental film has certainly as much to do, or far more to do, with the plastic arts than it does with cinema, as conceived in its most classic and commonly accepted sense. It is film considered as an art form, and films considered as works of art. All throughout its history, experimental cinema has had many different abodes.